與主持人一起深入瞭解文化產業的幕後。每一期節目以中英雙語走入視覺和表演藝術家、音樂家、影業、政策制定者、藝管、藏家的世界。

這個頻道是一個雙向通道一一促進和支援各個國家的文化交流以深固創造者與廣大觀眾的對話。

A personal look at the behind-the-scenes of the creative industry with the host. The bilingual series features guests from the visual and performing arts, music, film, arts administrators, collectors and policy makers. 

The channel is a two-way portal that promotes cultural exchanges between the Asian and global communities, as well as between creators and audiences at large.

Cecile Hirschler Alberti 和 Lulu Fong 在紐約相會，交流著紐約藝術碩士生在紐約的生活以及Cecile最新的作品系列中“蛻變”的意義。

這段密切的訪談用影片故事書的方式揭露著藝術學院、龐克音樂和個人當地社群帶來的靈感。

Cecile Hirschler Alberti and Lulu Fong met up in New York and dived into life as an MFA student in the city and an exploration on ‘metamorphosis’ in Cecile’s latest body of work.

The intimate conversation is turned into a video storybook of stirring insights on art school, punk music and creative inspirations of one’s neighborhood.

Cecile Hirschler Alberti生活和工作於紐約曼哈頓。她的作品探索著翻譯、結構的主題並不斷重新詮釋“神話”作為“文化試金石”的概念。

她於2022年獲得紐約大學斯坦哈特學院的美術碩士學位，並於2016年獲得羅德島設計學院的版畫藝術學士學位。

Cecile Hirschler Alberti lives and works in Manhattan, New York. Her paintings explore themes of translation, configuration and are a continual reinterpreting of myth as a "cultural litmus test.” 

She received her MFA at NYU Steinhardt in 2022 and a BFA in Printmaking in 2016 from the Rhode Island School of Design.

Lulu Fong 的職業生涯核心是善用她在東西方的個人經驗不斷推廣藝術獨特的能力。 

2020年畢業於哥倫比亞大學藝術管理研究生，她曾為著名的國際畫廊、豪瑟沃斯（紐約）、裡森畫廊（上海）和Miguel Abreu畫廊（紐約）工作。

在國內的北京“藝術新聞”上海的“外灘美術館”、“民生美術館”。參加了蘇富比藝術學院駐東京的學習。 

Fong曾在美國著名機構的實習和藝術核心工作的經驗能更好的為東、西方的藝術家和藝術觀眾們服務。

At the core of Lulu Fong’s career is a unique ability to utilize her personal transatlantic experiences in her continuous promotion of the arts. 

Fong received her M.A. in Arts Administration from Columbia University in 2020 and worked extensively for leading international galleries Hauser & Wirth (New York), Lisson Gallery (Shanghai) and Miguel Abreu Gallery (New York). 

With her academic training and professional experience unfolding at the heart of the art industry, Lulu Fong offers a particular standpoint that is needed to bridge gaps of Asian representation in both the creatives side and the audience of arts.

編輯：Xiangning Liu