From 2017, he co-curated Hyperdub’s monthly event series Ø. His book ‘Sonic Warfare’ was published on MIT Press in 2010 and with AUDINT he co-edited the book ‘Unsound: Undead’ for Urbanomic Press in 2019. He has produced numerous installations, and his sound designs have also been presented as part of the Hyundai commission at the Tate Modern (2018) and the Barbican 'AI: More than Human' in London (2019).  He has recorded 3 albums, 2 with the late vocalist The Spaceape; Memories of Future (2006) and Black Sun (2010), and a solo album, Nothing (2015). He has compiled 4 DJ mix compilations, Dubstep Allstars vol.3 (Tempa 2006), DJ Kicks (K7 2011) and Rinse 22 (Rinse 2013), and in 2018, Fabric 100 with Burial. In additional to his record label Hyperdub, he has also released tracks on Aphex Twin’s Rephlex label, Soul Jazz and Rinse and remixed for Mr. Fingers, Lee Scratch Perry, the Junior Boys, Battles and Dabrye/MF Doom among others.

Adrian Mojica and Wyatt Stevens, aka AceMo and MoMA Ready respectively, are masters at injecting spirit and intensity on the dancefloor. Having recently taken the underground dance music scene by storm, their sound and style are filled with raw and infectious rave energy. Fusing analogue textures with jacking rhythms of house, techno and jungle, AceMo and MoMA Ready's AceMoMA project is leading the charge for the next wave of artists coming out of Brooklyn.

Having come to the Brooklyn underground noticing the lack of diversity in the dance music community, AceMoMA have led with their desire to “make techno black again.” Many newcomers may have a lack of knowledge of the culture's foundation due to today's dance music landscape being largely European. The truth is, dance music is black music. Now, Acemo and MoMA Ready's increased presence is reintroducing others to the queer, PoC roots of the dancefloor.

Separately, AceMo and MoMA Ready have released a great deal of music in the past. In 2014, AceMo released his first album titled, ‘Boarders', which has an entirely different essence than his most recent EP release, ‘Power'. Where ‘Boarders’ is calm, atmospheric, and slightly lo-fi leaning, ‘Power’ is bass-thumping, heart-jumping warehouse material, red lights and all. AceMo was born in Connecticut and began his journey in music in Latin jazz youth ensembles and marching bands. At 16, he began producing, and soon after, he moved to NYC to study. He’s known for his hardware aesthetic, producing his 2017 EP, ‘Black Populous,’ directly on tape without any edits or overdubs.

MoMA Ready comes from a different space. Growing up in the state of New York but coming into the city for school, he didn’t initially put music at the forefront. Stevens attended The School of Visual Arts, studying filmmaking. But, his experience there, made him want to make honest art, both audio and visual. Also making music under the alias, Gallery S, Stevens’ productions incorporate soulful vocals and deep beats, inducing a spiritual experience. Creating art in all forms, Stevens formed Haus of Altr, a lifestyle and music label that originally began as a skateboarding video series and morphed into a label as their peers enveloped themselves in the rave scene.

When the duo comes together as AceMoMA, they fuse their technical talents with expressive, emotional experiences. The mesh of their sound can be heard on a joint self-titled EP released this year. For those unable to personally experience the NYC underground scene, AceMoMA has you covered with their Impact mix. With this mix, they take us onto their manifestation of a dance floor to feel the raw, unnerved edginess of the Brooklyn dance community.

除此之外，在保守勢力橫行的烏干達，ta更是同 Nsasi 和Turkana 兩位酷⼉⾳樂⼈⼀同創辦了派對組織 ANTI-MASS，在坎帕拉的一場場隱秘派對中，用尖銳的音樂與溫柔的舞池，為酷er群體敞開庇護之門，同時也為當地的女性/實驗音樂藝術家們提供了盡情施展的舞臺。

ta將ANTI-MASS描述為“遊牧、女性、舞蹈機器”。該派對吸引了多樣化、專注的人群，旨在成為聲音和文化實驗的推進空間。2022年9月，Authentially Plastic在烏干達知名音樂廠牌HAKUNA KULALA發行了ta的第一張專輯"Raw Space"。這張超現實主義的專輯既感性又咄咄逼人，反映了非洲當代的電子革命。

‘Authentically Plastic’ is an Artist, DJ & Producer based in Kampala, Uganda. Their genre-bending sets, at once dark and playful, use Gqom, Vogue & Techno as a base for exploring other unknown sounds. Their music is influenced by anything from quasi-electronic Northern Ugandan rhythms, to early acid experiments, and live noise/industrial shows. They got their start playing at secretive queer parties in the city (Kampala); which eventually led to their first festival gig at ‘Nyege Nyege’. Since then, they have played in several venues around the city for parties like Malkia (Queen) & Boutiq Electroniq, continuously exploring and reinventing their style. Authentically Plastic also curates a bi-monthly club night in Kampala called ANTI-MASS; which prioritises femme, queer & experimental DJ’s/artists. They describe ANTI-MASS as a “nomadic, femme, dance machine”. The party attracts a diverse, dedicated crowd, and aims to be a propulsive space for sonic & cultural experimentation.

NET GALA are one of the driving forces who spearhead the underground scene of the city of Asia. As a member of the queer music collective ‘SHADE’, NET GALA have co-run their own electronic music label NBDKNW (pronounced Nobodyknows) and promoted local events channeling innovative musicians like Arca, Yaeji, Juliana Huxtable, Mykki Blanco, etc. The dramatic, emotional sounds, originated from distorted club music and convulsing archetype of pop, embody NET GALA's reflective yet fierce nature. You will encounter emotional synthesizer riffs or some hard-hitting 808s in their live performances, as well as some obnoxious Pop edits or traditional Korean vocals smashed into a blob.

Breaking through via a series of livestreams in 2020, DJ MELL G has had quite the journey. From launching her label JUICY GANG RECORDS in 2021 to embarking on a worldwide tour in more recent months, the German producer is establishing a sound and space of her own. Today, DJ MELL G produces and mixes electro with occasional splashes of techno and breakbeat. She has played alongside DJ Stringray, Zenker Brothers, Polychain and many more, bringing her blueprint to clubs like fabric, FOLD, OXI and Golden Pudel Club. Having co-produced records with DJ GODFATHER, DJ FUCKOFF, and KARNAGE KILLS, her first solo LP ISSUES signifies her most personal project yet, affirming her status as a considered producer who is keen to nurture dialogue around mental health in the music industry.

回到ta的音樂：Métaraph在TSA廠牌上釋出了他們的第一張EP《Motus Animi》，並參與到Durch、Expel your Demons廠牌的合集中，同時ta還為Voight Kamff、Gegen、Dusk等眾多唱片公司主持了一系列播客。

快速、空靈、工業、憂鬱和原始的旅程是透過ta的聲音旅程創造的，成功地撕裂了個人內心的混亂，並將其超越到更高的意識水平。這位變形大師將硬核、環境、工業技術、hardtrance和psy之間的流派進行了交叉。有力的鼓點敲擊和尖銳工業聲響，伴隨著渴望的旋律和黑暗的人聲，再用流淌的“酸液”為其淬火，鑄成如珠寶般誘惑的質感，就算是在在最黑暗的俱樂部中也能閃爍出灼人心智的光芒。

Metaraph is a non binary multidisciplinary artist based in Berlin. They are a jewellery designer, DJ, music producer, dancer, performer and one of the co-founder of Orpheus, London based multidisciplinary project that merges conceptual art experiences with rave and multidisciplinary approaches.

They started performing within the London queer underground scene since 2018 whilst they started travelling also across Europe.

Freshly signed under Ellen Allien's  legendary label and booking agency of BPitch, they released their first ep Motus Animi on TSA records and many singles for VAs of Durch, Expel your Demons, and more whilst they have been hosting an array of podcasts for numerous labels as Voight-Kampff, Gegen, Dusk and more.

Fast, ethereal, industrial, melancholic and raw journeys are created through their sound journeys succeeding in tearing out the individual inner chaos and transcending it to a higher level of consciousness.

The maestro of metamorphosis crossbreeeds genres between hardcore, ambient, industrial techno, hardtrance and psy through hard kicks and sharp percussions always bundled with longing melodies and dark vocals, which they give the necessary polish with a spark of acid.